Marisa Tomei on 'You're Dating a Narcissist!,' New Marco Calvani Film
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Anne Hathaway Says Third Christopher Nolan Collab Feels “Like I’m Doing Something Right”
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2024 Academy Women's Luncheon: Ariana Grande, Pamela Anderson, more
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Alfonso Cuarón on ‘An Almost Christmas Story,’ the ‘Die Hard’ Debate and the Autobiographical Trend
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‘Queens’ Writer-director Klaudia Reynicke And EPs Jessica Alba And Tracey Nyberg On Capturing The Humanity Of Young Womanhood And Complex Familial Bonds in Their Swiss Oscar Contender
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Director Martin Campbell Defends 'Dirty Angels' Graphic Violent Scenes
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Lin-Manuel Miranda Reveals Why He Didn’t Return for ‘Moana 2’
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Is Russia Preventing Georgia’s Oscar Submission From Seeing the Light of Day?
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Marianne Jean-Baptiste Deserves an Oscar for 'Hard Truths': Interview
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It Chronicles What Happened in 1972 — But ‘September 5’ Is About Our Social Media Present
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Jeremy Renner Has Only Seen Two ‘Avengers’ Films and “Didn’t Care About” Winning an Oscar
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Spike Lee on His New Denzel Washington Film ‘Highest 2 Lowest,’ How ‘Malcolm X’ “Nearly Killed Me,” and Retirement: “I Got Some Time Left”
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Why Geena Davis Disappeared From Hollywood
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Brendan Fraser Talks Working In Japan For ‘Rental Family’, Playing Dwight D. Eisenhower In ‘Pressure’ & Why He Still “Pinches” Himself About ‘The Whale’ Oscar Win — Red Sea Studio
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Sharon Stone Talks Difference Between Martin Scorsese and Sam Raimi

IndieWire

film

Story by Harrison Richlin

Image from IndieWire

scrn logline

Iconic actress Sharon Stone reveals the behind-the-scenes differences between working with legendary directors Martin Scorsese and Sam Raimi.

beat sheet

Stone starred in Scorsese's acclaimed 'Casino' the same year she produced and starred in Raimi's 'The Quick and the Dead', helping boost his career.
While Scorsese had a meticulous, methodical directing style, Raimi brought a more energetic, improvisational approach that allowed Stone more creative freedom on set.

call sheet

Sharon Stone, Martin Scorsese, Sam Raimi, Casino, Casino, The Quick and the Dead

Read the source