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‘Sing Sing’ Tops African American Film Critics Association Awards
‘Sing Sing’ Tops African American Film Critics Association Awards
Hollywood Reporter
Hollywood Reporter
2d
film
review
los angeles
box office
disney
critics choice
cannes
2d
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Critics Choice Film Voters Guide: From 'Wicked' to 'Emilia Perez'
Critics Choice Film Voters Guide: From 'Wicked' to 'Emilia Perez'
Variety
Variety
4d
film
review
los angeles
production
disney
critics choice
cannes
4d
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Critics Have Seen Timothée Chalamet's A Complete Unknown, And They Can’t Stop Talking About His ‘Playfully Off-Kilter’ Turn As Bob Dylan
Critics Have Seen Timothée Chalamet's A Complete Unknown, And They Can’t Stop Talking About His ‘Playfully Off-Kilter’ Turn As Bob Dylan
CinemaBlend
CinemaBlend
5d
film
review
los angeles
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amazon
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Why 'The Brutalist' Should Be Seen in VistaVision and 70mm
IndieWire
film
review
production
cannes
Story by Jim Hemphill
Image from IndieWire
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Todd Field's upcoming art-house epic 'The Brutalist' brings back the long-forgotten VistaVision format for an immersive cinematic experience.
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Cinematographer Hoyte van Hoytema shot 'The Brutalist' on vintage VistaVision cameras, a format last used in major films during the 1950s and 60s.
Director Todd Field is insisting the film be shown in 70mm projection to fully capture the format's higher resolution and distinct visual properties.
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Todd Field, Hoyte van Hoytema, VistaVision, The Brutalist
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