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'Ping Pong' Serves Up High-Stakes Drama at JAFF Market
'Ping Pong' Serves Up High-Stakes Drama at JAFF Market
Variety
Variety
1h
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review
indonesia
production
amazon
sundance
1h
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Everything we know about the Oscars 2025
Everything we know about the Oscars 2025
Pubity
Pubity
11h
film
review
los angeles
premiere
amazon
oscars
sundance
11h
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‘Anora,’ ‘I Saw the TV Glow’ Lead 2025 Indie Spirit Awards Nominations
‘Anora,’ ‘I Saw the TV Glow’ Lead 2025 Indie Spirit Awards Nominations
The Wrap
The Wrap
12h
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review
los angeles
premiere
amazon
independent spirit awards
sundance
12h
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Sundance Winner 'Girls Will Be Girls' Sets Prime Video Debut
Sundance Winner 'Girls Will Be Girls' Sets Prime Video Debut
Variety
Variety
20h
film
review
india
premiere
amazon
sundance
sundance
20h
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LGBTQ+, Fat and Disabled Characters Combined Only Make Up 10% of Film Roles, Study Finds
LGBTQ+, Fat and Disabled Characters Combined Only Make Up 10% of Film Roles, Study Finds
The Wrap
The Wrap
1d
film
review
los angeles
box office
amazon
oscars
sundance
1d
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‘My Old Ass’ Filmmaker Megan Park on the Joke That Led to One of 2024’s Most Pleasant Surprises
‘My Old Ass’ Filmmaker Megan Park on the Joke That Led to One of 2024’s Most Pleasant Surprises
Hollywood Reporter
Hollywood Reporter
4d
film
review
canada
production
amazon
sundance
sundance
4d
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Moana 2, Wicked, Gladiator II combine for the best Black Friday in box office history
Moana 2, Wicked, Gladiator II combine for the best Black Friday in box office history
Digital Trends
Digital Trends
4d
film
review
los angeles
box office
amazon
oscars
sundance
4d
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'Y2K' Review: Nostalgia, Zegler, and One Great Scene
MovieWeb
film
review
review
Story by Will Sayre
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Rachel Zegler shines in this uneven horror-comedy that features one truly chilling scene amidst a sea of nostalgia-fueled mediocrity.
beat sheet
Zegler's performance is the standout, with the young star bringing her signature warmth and charisma to the lead role
A single, remarkably well-executed horror sequence stands out as a rare high point, hinting at the potential the film never fully realizes
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Rachel Zegler, 'Y2K'
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