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‘The Last Of The Sea Women’: Oscar-Contending Doc Goes Deep With “Bad-Ass” Guardians Of Ancient Tradition
‘The Last Of The Sea Women’: Oscar-Contending Doc Goes Deep With “Bad-Ass” Guardians Of Ancient Tradition
Deadline
Deadline
1d
film
review
south korea
production
apple tv+
oscars
venice ff
1d
+
In ‘The Brutalist,’ Size Matters
In ‘The Brutalist,’ Size Matters
Hollywood Reporter
Hollywood Reporter
1d
film
review
italy
production
a24
venice ff
venice ff
1d
+
New Movies on Streaming: 'Venom: The Last Dance,' 'Heretic,' + More
New Movies on Streaming: 'Venom: The Last Dance,' 'Heretic,' + More
Decider
Decider
1d
film
review
los angeles
premiere
disney+
venice ff
1d
+
‘Sing Sing’ Tops African American Film Critics Association Awards
‘Sing Sing’ Tops African American Film Critics Association Awards
Hollywood Reporter
Hollywood Reporter
1d
film
review
los angeles
box office
disney
oscars
venice ff
1d
+
Pike
Pike
Film Threat
Film Threat
2d
film
review
london
production
amazon
oscars
venice ff
2d
+
Why 'The Brutalist' Should Be Seen in VistaVision and 70mm
Why 'The Brutalist' Should Be Seen in VistaVision and 70mm
Indiewire
Indiewire
film
review
production
venice ff
2d
Why 'The Brutalist' Should Be Seen in VistaVision and 70mm
IndieWire
film
review
production
venice ff
Story by Jim Hemphill
Image from IndieWire
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Todd Field's upcoming art-house epic 'The Brutalist' brings back the long-forgotten VistaVision format for an immersive cinematic experience.
beat sheet
Cinematographer Hoyte van Hoytema shot 'The Brutalist' on vintage VistaVision cameras, a format last used in major films during the 1950s and 60s.
Director Todd Field is insisting the film be shown in 70mm projection to fully capture the format's higher resolution and distinct visual properties.
call sheet
Todd Field, Hoyte van Hoytema, VistaVision, The Brutalist
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Oscars: All 85 Submissions for Best International Feature
Oscars: All 85 Submissions for Best International Feature
Hollywood Reporter
Hollywood Reporter
2d
film
review
los angeles
premiere
netflix
oscars
venice ff
2d
+
A Sea Battle in the Desert? Ridley Scott Made It Happen in ‘Gladiator II’
A Sea Battle in the Desert? Ridley Scott Made It Happen in ‘Gladiator II’
The Wrap
The Wrap
4d
film
review
los angeles
production
amazon
oscars
venice ff
4d
+
Is Russia Preventing Georgia’s Oscar Submission From Seeing the Light of Day?
Is Russia Preventing Georgia’s Oscar Submission From Seeing the Light of Day?
Hollywood Reporter
Hollywood Reporter
4d
film
review
russia
production
oscars
venice ff
4d
+
It Chronicles What Happened in 1972 — But ‘September 5’ Is About Our Social Media Present
It Chronicles What Happened in 1972 — But ‘September 5’ Is About Our Social Media Present
Hollywood Reporter
Hollywood Reporter
4d
film
review
germany
production
paramount
oscars
venice ff
4d
+
Brady Corbet's Masterpiece 'The Brutalist' Magnificent Official Trailer
Brady Corbet's Masterpiece 'The Brutalist' Magnificent Official Trailer
FirstShowing.net
FirstShowing.net
4d
film
review
us
premiere
a24
venice ff
venice ff
4d
+
2024 Holiday Movie Preview: The Complete Guide
2024 Holiday Movie Preview: The Complete Guide
ComicBook.com
ComicBook.com
5d
film
review
production
disney
oscars
venice ff
5d
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Music Box Buys Venice Prizewinning Film 'Familiar Touch'
Music Box Buys Venice Prizewinning Film 'Familiar Touch'
Variety
Variety
5d
film
review
venice
premiere
music box
venice ff
venice ff
5d
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Why 'The Brutalist' Should Be Seen in VistaVision and 70mm
IndieWire
film
review
production
venice ff
Story by Jim Hemphill
Image from IndieWire
scrn logline
Todd Field's upcoming art-house epic 'The Brutalist' brings back the long-forgotten VistaVision format for an immersive cinematic experience.
beat sheet
Cinematographer Hoyte van Hoytema shot 'The Brutalist' on vintage VistaVision cameras, a format last used in major films during the 1950s and 60s.
Director Todd Field is insisting the film be shown in 70mm projection to fully capture the format's higher resolution and distinct visual properties.
call sheet
Todd Field, Hoyte van Hoytema, VistaVision, The Brutalist
Read the source