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‘One of Them Days’ Team Hopes the Film Opens Doors for More Black Stories in Hollywood
‘One of Them Days’ Team Hopes the Film Opens Doors for More Black Stories in Hollywood
The Wrap
The Wrap
10h
film
review
los angeles
premiere
amazon
oscars
toronto ff
10h
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'Juror No. 2,' 'Challengers' Could Surprise as Oscar Voting Closes?
'Juror No. 2,' 'Challengers' Could Surprise as Oscar Voting Closes?
Variety
Variety
3d
film
review
los angeles
premiere
amazon
oscars
toronto ff
3d
+
‘One Of Them Days’ Review: Keke Palmer-SZA Physical Comedy Highlights Pure Comic Premise
‘One Of Them Days’ Review: Keke Palmer-SZA Physical Comedy Highlights Pure Comic Premise
Deadline
Deadline
3d
film
review
los angeles
premiere
amazon
oscars
toronto ff
3d
+
PGA Awards Nominations 2025: Conclave, Emilia Perez, Wicked and More
PGA Awards Nominations 2025: Conclave, Emilia Perez, Wicked and More
Variety
Variety
4d
film
review
los angeles
premiere
amazon
pga
toronto ff
4d
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'American Primeval' Cast & Character Guide
'American Primeval' Cast & Character Guide
MovieWeb
MovieWeb
6d
film
review
los angeles
premiere
amazon
oscars
toronto ff
6d
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Why 'The Brutalist' Should Be Seen in VistaVision and 70mm
IndieWire
film
review
production
toronto ff
Story by Jim Hemphill
Image from IndieWire
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Todd Field's upcoming art-house epic 'The Brutalist' brings back the long-forgotten VistaVision format for an immersive cinematic experience.
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Cinematographer Hoyte van Hoytema shot 'The Brutalist' on vintage VistaVision cameras, a format last used in major films during the 1950s and 60s.
Director Todd Field is insisting the film be shown in 70mm projection to fully capture the format's higher resolution and distinct visual properties.
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Todd Field, Hoyte van Hoytema, VistaVision, The Brutalist
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