scrn
7 articles today
Most recent
Popular
In ‘The Brutalist,’ Size Matters
In ‘The Brutalist,’ Size Matters
Hollywood Reporter
Hollywood Reporter
1d
film
review
italy
production
a24
venice ff
venice ff
1d
+
New Movies on Streaming: 'Venom: The Last Dance,' 'Heretic,' + More
New Movies on Streaming: 'Venom: The Last Dance,' 'Heretic,' + More
Decider
Decider
1d
film
review
italy
premiere
disney+
venice ff
1d
+
'Vermiglio': How Maura Delpero Cast Italy's Oscar Contender
'Vermiglio': How Maura Delpero Cast Italy's Oscar Contender
Indiewire
Indiewire
2d
film
interview
italy
production
oscars
venice ff
2d
+
Oscars: All 85 Submissions for Best International Feature
Oscars: All 85 Submissions for Best International Feature
Hollywood Reporter
Hollywood Reporter
2d
film
review
italy
premiere
netflix
oscars
venice ff
2d
+
Is Russia Preventing Georgia’s Oscar Submission From Seeing the Light of Day?
Is Russia Preventing Georgia’s Oscar Submission From Seeing the Light of Day?
Hollywood Reporter
Hollywood Reporter
4d
film
review
italy
production
oscars
venice ff
4d
+
Official US Trailer for Italian Drama 'Vermiglio' Set in the Mountains
Official US Trailer for Italian Drama 'Vermiglio' Set in the Mountains
FirstShowing.net
FirstShowing.net
4d
film
trailer
italy
premiere
janus films
venice ff
venice ff
4d
+
No more articles
Why 'The Brutalist' Should Be Seen in VistaVision and 70mm
IndieWire
film
review
production
venice ff
Story by Jim Hemphill
Image from IndieWire
scrn logline
Todd Field's upcoming art-house epic 'The Brutalist' brings back the long-forgotten VistaVision format for an immersive cinematic experience.
beat sheet
Cinematographer Hoyte van Hoytema shot 'The Brutalist' on vintage VistaVision cameras, a format last used in major films during the 1950s and 60s.
Director Todd Field is insisting the film be shown in 70mm projection to fully capture the format's higher resolution and distinct visual properties.
call sheet
Todd Field, Hoyte van Hoytema, VistaVision, The Brutalist
Read the source