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Marcello Hernández Tries & Fails to Rap GloRilla’s ‘Yeah Glo!’ in Spanish in New ‘SNL’ Promo
Marcello Hernández Tries & Fails to Rap GloRilla’s ‘Yeah Glo!’ in Spanish in New ‘SNL’ Promo
Billboard
Billboard
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new york
premiere
nbc universal
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First Trailer for 'Liza: A Truly Terrific Absolutely True Story' Doc Film
First Trailer for 'Liza: A Truly Terrific Absolutely True Story' Doc Film
FirstShowing.net
FirstShowing.net
4d
music
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new york
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tribeca ff
tribeca ff
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Bad Bunny Talks ‘Happy Gilmore 2,’ Busks Undercover in Subway, Co-Hosts ‘Tonight Show’ With Jimmy Fallon: Watch
Bad Bunny Talks ‘Happy Gilmore 2,’ Busks Undercover in Subway, Co-Hosts ‘Tonight Show’ With Jimmy Fallon: Watch
Billboard
Billboard
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How to Watch the New Diddy Documentary, ‘Diddy: The Making of a Bad Boy’
How to Watch the New Diddy Documentary, ‘Diddy: The Making of a Bad Boy’
Hollywood Reporter
Hollywood Reporter
5d
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peacock
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Why 'The Brutalist' Should Be Seen in VistaVision and 70mm
IndieWire
film
review
production
cannes
Story by Jim Hemphill
Image from IndieWire
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Todd Field's upcoming art-house epic 'The Brutalist' brings back the long-forgotten VistaVision format for an immersive cinematic experience.
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Cinematographer Hoyte van Hoytema shot 'The Brutalist' on vintage VistaVision cameras, a format last used in major films during the 1950s and 60s.
Director Todd Field is insisting the film be shown in 70mm projection to fully capture the format's higher resolution and distinct visual properties.
call sheet
Todd Field, Hoyte van Hoytema, VistaVision, The Brutalist
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