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How F-Bombs and Family Fare Saved the Box Office
How F-Bombs and Family Fare Saved the Box Office
Hollywood Reporter
Hollywood Reporter
2d
film
review
los angeles
box office
disney
oscars
sundance
2d
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7 Actors Who Have Played Multiple Roles in the Same Franchise
7 Actors Who Have Played Multiple Roles in the Same Franchise
ComicBook.com
ComicBook.com
4d
film
review
los angeles
casting
disney
oscars
sundance
4d
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Total Women and Minority Directors in Hollywood ‘Plateaued’ in 2024, Study Finds
Total Women and Minority Directors in Hollywood ‘Plateaued’ in 2024, Study Finds
The Wrap
The Wrap
6d
film
review
los angeles
production
disney
oscars
sundance
6d
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2025 Inclusion in the Director’s Chair Study: Little Change
2025 Inclusion in the Director’s Chair Study: Little Change
Indiewire
Indiewire
6d
film
review
los angeles
industry
disney
oscars
sundance
6d
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Hollywood Stocks in 2024: The Good, the Bad and the Silver Lining
Hollywood Stocks in 2024: The Good, the Bad and the Silver Lining
Hollywood Reporter
Hollywood Reporter
6d
film
review
los angeles
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6d
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Why 'The Brutalist' Should Be Seen in VistaVision and 70mm
IndieWire
film
review
production
cannes
Story by Jim Hemphill
Image from IndieWire
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Todd Field's upcoming art-house epic 'The Brutalist' brings back the long-forgotten VistaVision format for an immersive cinematic experience.
beat sheet
Cinematographer Hoyte van Hoytema shot 'The Brutalist' on vintage VistaVision cameras, a format last used in major films during the 1950s and 60s.
Director Todd Field is insisting the film be shown in 70mm projection to fully capture the format's higher resolution and distinct visual properties.
call sheet
Todd Field, Hoyte van Hoytema, VistaVision, The Brutalist
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