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Ariana Grande Says She Went Through Her ‘Wicked’ Contract With Cynthia Erivo to Make Sure They Were “Aligned”
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How Much Did Kaley Cuoco Make for Each 'Big Bang Theory' Episode?
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Ryan Reynolds Explains Deadpool’s Relationship With Avengers, X-Men in the MCU
Ryan Reynolds Explains Deadpool’s Relationship With Avengers, X-Men in the MCU
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Zendaya and Nicole Kidman on Intimacy, Challengers and Babygirl
Zendaya and Nicole Kidman on Intimacy, Challengers and Babygirl
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Ryan Reynolds Says Andrew Garfield Stole the Show in Spider-Man: No Way Home
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Cynthia Erivo Reflects on the “Big, Wild, Crazy Ride” That Led to ‘Wicked’ Golden Globes Nomination
Cynthia Erivo Reflects on the “Big, Wild, Crazy Ride” That Led to ‘Wicked’ Golden Globes Nomination
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Ryan Reynolds and Andrew Garfield — Actors on Actors (Full Conversation)
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The Most Powerful Woman in Hollywood You’ve Never Heard Of
The Most Powerful Woman in Hollywood You’ve Never Heard Of
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Why Iron Man 3’s Shane Black Sets Most of His Movies at Christmas Time
Why Iron Man 3’s Shane Black Sets Most of His Movies at Christmas Time
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Indiana Jones 5 Director Reflects on Mixed Reception, “It Hurt”
Indiana Jones 5 Director Reflects on Mixed Reception, “It Hurt”
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Why 'The Brutalist' Should Be Seen in VistaVision and 70mm

Story by Jim Hemphill

from IndieWire

Image from IndieWire

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Todd Field's upcoming art-house epic 'The Brutalist' brings back the long-forgotten VistaVision format for an immersive cinematic experience.

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Cinematographer Hoyte van Hoytema shot 'The Brutalist' on vintage VistaVision cameras, a format last used in major films during the 1950s and 60s.
Director Todd Field is insisting the film be shown in 70mm projection to fully capture the format's higher resolution and distinct visual properties.

call sheet

Todd Field, Hoyte van Hoytema, VistaVision, The Brutalist

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