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Ryan Reynolds Explains Deadpool’s Relationship With Avengers, X-Men in the MCU
Ryan Reynolds Explains Deadpool’s Relationship With Avengers, X-Men in the MCU
ComicBook.com
ComicBook.com
1d
comics
interview
los angeles
box office
disney
1d
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Ryan Reynolds Multitasks Like a Mofo
Ryan Reynolds Multitasks Like a Mofo
Hollywood Reporter
Hollywood Reporter
1d
film
interview
new york
box office
disney
pga
1d
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Following Inside Out 2’s Box Office Dominance, Amy Poehler Gets Real About How The Pixar Franchise Has ‘Fundamentally Changed’ Her Life
Following Inside Out 2’s Box Office Dominance, Amy Poehler Gets Real About How The Pixar Franchise Has ‘Fundamentally Changed’ Her Life
CinemaBlend
CinemaBlend
2d
film
interview
box office
disney
2d
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Ryan Reynolds Says Andrew Garfield Stole the Show in Spider-Man: No Way Home
Ryan Reynolds Says Andrew Garfield Stole the Show in Spider-Man: No Way Home
ComingSoon.net
ComingSoon.net
4d
film
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4d
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Ryan Reynolds and Andrew Garfield — Actors on Actors (Full Conversation)
Ryan Reynolds and Andrew Garfield — Actors on Actors (Full Conversation)
Variety
Variety
5d
film
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los angeles
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disney
5d
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The Most Powerful Woman in Hollywood You’ve Never Heard Of
The Most Powerful Woman in Hollywood You’ve Never Heard Of
Hollywood Reporter
Hollywood Reporter
5d
film
interview
los angeles
box office
disney
oscars
sundance
5d
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Why Iron Man 3’s Shane Black Sets Most of His Movies at Christmas Time
Why Iron Man 3’s Shane Black Sets Most of His Movies at Christmas Time
ComicBook.com
ComicBook.com
6d
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los angeles
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disney
6d
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Indiana Jones 5 Director Reflects on Mixed Reception, “It Hurt”
Indiana Jones 5 Director Reflects on Mixed Reception, “It Hurt”
ComicBook.com
ComicBook.com
6d
film
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los angeles
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6d
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Why 'The Brutalist' Should Be Seen in VistaVision and 70mm
IndieWire
film
review
production
cannes
Story by Jim Hemphill
Image from IndieWire
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Todd Field's upcoming art-house epic 'The Brutalist' brings back the long-forgotten VistaVision format for an immersive cinematic experience.
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Cinematographer Hoyte van Hoytema shot 'The Brutalist' on vintage VistaVision cameras, a format last used in major films during the 1950s and 60s.
Director Todd Field is insisting the film be shown in 70mm projection to fully capture the format's higher resolution and distinct visual properties.
call sheet
Todd Field, Hoyte van Hoytema, VistaVision, The Brutalist
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