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Ryan Reynolds Multitasks Like a Mofo
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‘One Of The Best Feelings.’ Ryan Reynolds Recalled What It Was Like Bringing Wesley Snipes Back Into The MCU In Front Of Thousands Of Fans, And It Has Me In My Feels
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Cynthia Erivo Reflects on the “Big, Wild, Crazy Ride” That Led to ‘Wicked’ Golden Globes Nomination
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Why Iron Man 3’s Shane Black Sets Most of His Movies at Christmas Time
Why Iron Man 3’s Shane Black Sets Most of His Movies at Christmas Time
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Why 'The Brutalist' Should Be Seen in VistaVision and 70mm

Story by Jim Hemphill

from IndieWire

Image from IndieWire

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Todd Field's upcoming art-house epic 'The Brutalist' brings back the long-forgotten VistaVision format for an immersive cinematic experience.

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Cinematographer Hoyte van Hoytema shot 'The Brutalist' on vintage VistaVision cameras, a format last used in major films during the 1950s and 60s.
Director Todd Field is insisting the film be shown in 70mm projection to fully capture the format's higher resolution and distinct visual properties.

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Todd Field, Hoyte van Hoytema, VistaVision, The Brutalist

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