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‘All We Imagine As Light’: Read The Screenplay For Payal Kapadia’s Cannes Grand Prix Winner
‘All We Imagine As Light’: Read The Screenplay For Payal Kapadia’s Cannes Grand Prix Winner
Deadline
Deadline
4d
film
review
cannes
premiere
janus films
cannes grand prix
cannes film festival
4d
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Where is Emilia Perez available to view before the Golden Globes?
Where is Emilia Perez available to view before the Golden Globes?
Pubity
Pubity
5d
film
review
cannes
premiere
golden globes
cannes film festival
5d
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Golden Globes Nominations 2025: Emilia Perez, The Bear Lead Nominees
Golden Globes Nominations 2025: Emilia Perez, The Bear Lead Nominees
Variety
Variety
6d
film
review
cannes
premiere
netflix
golden globes
cannes film festival
6d
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Why 'The Brutalist' Should Be Seen in VistaVision and 70mm
IndieWire
film
review
production
cannes
Story by Jim Hemphill
Image from IndieWire
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Todd Field's upcoming art-house epic 'The Brutalist' brings back the long-forgotten VistaVision format for an immersive cinematic experience.
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Cinematographer Hoyte van Hoytema shot 'The Brutalist' on vintage VistaVision cameras, a format last used in major films during the 1950s and 60s.
Director Todd Field is insisting the film be shown in 70mm projection to fully capture the format's higher resolution and distinct visual properties.
call sheet
Todd Field, Hoyte van Hoytema, VistaVision, The Brutalist
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