- VarietyVariety6h
- IndiewireIndiewire22h
- Hollywood ReporterHollywood Reporter1d
- Digital TrendsDigital Trends1d
- ComicBook.comComicBook.com1d
- Page SixPage Six2d
- Hollywood ReporterHollywood Reporter2d
- The WrapThe Wrap2d
- The WrapThe Wrap2d
- Hollywood ReporterHollywood Reporter
Trent Reznor and Atticus Ross Prefer Movie Soundtracks Because “the Culture of the Music World Sucks”
The Hollywood ReporterStory by Zoe G PhillipsImage from The Hollywood Reporter
scrn loglineNine Inch Nails duo Trent Reznor and Atticus Ross open up about their shift to movie soundtracks, citing frustration with thebeat sheet- Reznor and Ross, known for their iconic film scores like The Social Network and Mank, say they're drawn to the collaborative experience of working with directors like Luca Guadagnino, who allows them creative freedom to enhance his vision.
- The pair reveal their scoring process is driven by what best serves the story, not commercial concerns, as evidenced by their unconventional choice of dance music for Guadagnino's latest film Challengers, which they describe as
Read the sourcecall sheetTrent Reznor, Atticus Ross, Nine Inch Nails, The Social Network, Gone Girl, Bird Box, Mank, The Girl with the Dragon Tattoo, Soul, Bones and All, Challengers, Queer, After the Hunt - Hollywood ReporterHollywood Reporter2d
- IndiewireIndiewire3d
- DeadlineDeadline3d
- DeadlineDeadline3d
- CinemaBlendCinemaBlend3d
- IndiewireIndiewire3d
- DeadlineDeadline3d
- VarietyVariety4d
- DeadlineDeadline4d
- Little White LiesLittle White Lies4d
- Page SixPage Six4d
- DeadlineDeadline4d
- ComicBook.comComicBook.com4d
- ComingSoon.netComingSoon.net4d
- AV ClubAV Club5d
- ComingSoon.netComingSoon.net5d
- AV ClubAV Club5d
- ComicBook.comComicBook.com5d
- DeadlineDeadline6d
- Hollywood ReporterHollywood Reporter6d
Trent Reznor and Atticus Ross Prefer Movie Soundtracks Because “the Culture of the Music World Sucks”
The Hollywood ReporterStory by Zoe G Phillips
scrn logline
Nine Inch Nails duo Trent Reznor and Atticus Ross open up about their shift to movie soundtracks, citing frustration with the
beat sheet
- Reznor and Ross, known for their iconic film scores like The Social Network and Mank, say they're drawn to the collaborative experience of working with directors like Luca Guadagnino, who allows them creative freedom to enhance his vision.
- The pair reveal their scoring process is driven by what best serves the story, not commercial concerns, as evidenced by their unconventional choice of dance music for Guadagnino's latest film Challengers, which they describe as
call sheet
Trent Reznor, Atticus Ross, Nine Inch Nails, The Social Network, Gone Girl, Bird Box, Mank, The Girl with the Dragon Tattoo, Soul, Bones and All, Challengers, Queer, After the Hunt