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After ‘The Return’, We Need a Homeric Cinematic Universe
After ‘The Return’, We Need a Homeric Cinematic Universe
MovieWeb
MovieWeb
14h
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oscars
cannes ff
14h
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How 'Babygirl,' 'The Substance' Fight Society’s Standards for Women
How 'Babygirl,' 'The Substance' Fight Society’s Standards for Women
Variety
Variety
19h
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los angeles
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19h
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‘Inside Out 2,’ ‘The Last Showgirl’ Filmmakers Explore Female Mentorship
‘Inside Out 2,’ ‘The Last Showgirl’ Filmmakers Explore Female Mentorship
Variety
Variety
20h
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los angeles
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20h
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Pablo Larraín Trilogy of 'Jackie,' 'Spencer,' 'Maria' Adds to History
Pablo Larraín Trilogy of 'Jackie,' 'Spencer,' 'Maria' Adds to History
Indiewire
Indiewire
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‘Nickel Boys’ & ‘The Last Showgirl’ Land As Awards Season Hopefuls Rev Up Indie Market – Specialty Preview
‘Nickel Boys’ & ‘The Last Showgirl’ Land As Awards Season Hopefuls Rev Up Indie Market – Specialty Preview
Deadline
Deadline
5d
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los angeles
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gotham awards
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5d
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Pike
Pike
Film Threat
Film Threat
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london
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Oscars: All 85 Submissions for Best International Feature
Oscars: All 85 Submissions for Best International Feature
Hollywood Reporter
Hollywood Reporter
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‘Hobal’ Review: Nomadic Family is Unsettled By Future in Dynamic Drama
Variety
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middle east
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Story by Stephen Saito
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A Bedouin family grapples with an unsettling future in Abdulaziz Alshlahei's powerful desert drama 'Hobal'.
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Director Alshlahei's third feature is drawing early awards buzz for its nuanced exploration of nomadic life and tradition under threat.
Lead actor Ibrahim Al-Hasawi delivers a tour-de-force performance as the patriarch struggling to preserve his family's Bedouin way of living.
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Abdulaziz Alshlahei, Ibrahim Al-Hasawi, Hobal
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