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After ‘The Return’, We Need a Homeric Cinematic Universe
After ‘The Return’, We Need a Homeric Cinematic Universe
MovieWeb
MovieWeb
1d
film
review
development
disney
emmys
cannes ff
1d
+
‘Up in Smoke,’ ‘Pride of the Yankees,’ ‘Beverly Hills Cop,’ ‘No Country for Old Men,’ ‘The Social Network’ Inducted Into National Film Registry
‘Up in Smoke,’ ‘Pride of the Yankees,’ ‘Beverly Hills Cop,’ ‘No Country for Old Men,’ ‘The Social Network’ Inducted Into National Film Registry
Hollywood Reporter
Hollywood Reporter
3d
film
review
los angeles
development
disney
emmys
sundance
3d
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‘Entourage’ Creator Doug Ellin on His New Pilot About (Fittingly) Second Acts
‘Entourage’ Creator Doug Ellin on His New Pilot About (Fittingly) Second Acts
Hollywood Reporter
Hollywood Reporter
6d
film
review
los angeles
development
hbo
emmys
6d
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Why 'Wicked,' 'Beetlejuice Beetlejuice,' 'Twisters' Fell Short Overseas
Variety
film
review
us
box office
Story by Rebecca Rubin
Image from Variety
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Domestic hits 'Wicked,' 'Beetlejuice,' and 'Twisters' failed to wow international audiences, puzzling Hollywood execs
beat sheet
'Wicked' and 'Beetlejuice' were huge US successes, but only grossed $20M and $12M overseas respectively, far below expectations
Reboot of 1996 blockbuster 'Twisters' starring Glen Powell was a flop globally, earning just $35M total against a $150M budget
call sheet
Michael Keaton, Glen Powell, Wicked, Beetlejuice, 'Wicked', 'Beetlejuice Beetlejuice', 'Twisters'
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