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13 Movies About the World's Oldest Profession That Don't Sugarcoat Anything
13 Movies About the World's Oldest Profession That Don't Sugarcoat Anything
MovieMaker Magazine
MovieMaker Magazine
19h
film
review
los angeles
premiere
netflix
oscars
sundance
19h
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The Brutalist review: a beguiling epic
The Brutalist review: a beguiling epic
Digital Trends
Digital Trends
1d
film
review
los angeles
premiere
amazon
oscars
sundance
1d
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‘The Brutalist’, ‘The Room Next Door’ & ‘The Count Of Monte Cristo’ Jump Into Pre-Christmas Indie Frame – Specialty Preview
‘The Brutalist’, ‘The Room Next Door’ & ‘The Count Of Monte Cristo’ Jump Into Pre-Christmas Indie Frame – Specialty Preview
Deadline
Deadline
2d
film
review
los angeles
premiere
amazon
oscars
sundance
2d
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‘The Brutalist’ Is Brady Corbet’s Great American Masterpiece
‘The Brutalist’ Is Brady Corbet’s Great American Masterpiece
The Rolling Stone
The Rolling Stone
2d
film
review
los angeles
premiere
a24
oscars
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2d
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Can Nosferatu Save Vampire Movies At The Box Office This Christmas?
Can Nosferatu Save Vampire Movies At The Box Office This Christmas?
SlashFilm
SlashFilm
2d
film
review
los angeles
premiere
amazon
oscars
sundance
2d
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June Squibb on “Very Special” Experience Working With Scarlett Johansson on Directorial Debut
June Squibb on “Very Special” Experience Working With Scarlett Johansson on Directorial Debut
Hollywood Reporter
Hollywood Reporter
2d
film
interview
los angeles
premiere
sundance
oscars
sundance
2d
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Peter Bart: Today’s Movie Musicals Are Wicked Successful, But A Far Cry From The Sunnier Settings Of Hollywood’s Golden Age Hits
Peter Bart: Today’s Movie Musicals Are Wicked Successful, But A Far Cry From The Sunnier Settings Of Hollywood’s Golden Age Hits
Deadline
Deadline
2d
film
review
los angeles
premiere
disney
oscars
sundance
2d
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How 'Babygirl,' 'The Substance' Fight Society’s Standards for Women
How 'Babygirl,' 'The Substance' Fight Society’s Standards for Women
Variety
Variety
4d
film
review
los angeles
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netflix
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4d
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Jonathan Majors’ ‘Magazine Dreams’ Muscles Into March 25 Release Date Through Briarcliff Ent.
Jonathan Majors’ ‘Magazine Dreams’ Muscles Into March 25 Release Date Through Briarcliff Ent.
Deadline
Deadline
4d
film
review
sundance
premiere
briarcliff entertainment
oscars
sundance
4d
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Sundance 2025 Gala: Cynthia Erivo, James Mangold to Be Honored
Sundance 2025 Gala: Cynthia Erivo, James Mangold to Be Honored
Indiewire
Indiewire
4d
film
los angeles
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disney
oscars
sundance
4d
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‘Inside Out 2,’ ‘The Last Showgirl’ Filmmakers Explore Female Mentorship
‘Inside Out 2,’ ‘The Last Showgirl’ Filmmakers Explore Female Mentorship
Variety
Variety
4d
film
review
los angeles
premiere
disney
oscars
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4d
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The Trend This Oscar Season: Women Reclaiming Their Sexuality
The Trend This Oscar Season: Women Reclaiming Their Sexuality
Hollywood Reporter
Hollywood Reporter
5d
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los angeles
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amazon
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5d
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Kylie Jenner And Timothée Chalamet Spotted Again, As Two Continue To Low-Key Make The Most Of Time In New York
Kylie Jenner And Timothée Chalamet Spotted Again, As Two Continue To Low-Key Make The Most Of Time In New York
CinemaBlend
CinemaBlend
6d
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6d
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Mufasa: The Lion King Post-Credits: Is There a Scene at the End?
ComingSoon.net
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us
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disney
Story by Tamal Kundu
Image from ComingSoon.net
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Mufasa's origin story revealed in new Lion King prequel/sequel, leaving fans wondering if a post-credits scene awaits.
beat sheet
Director Barry Jenkins opts not to include a post-credits scene, despite the film's ties to the broader Lion King universe.
Mufasa (Aaron Pierre) and a young Scar (Kelvin Harrison Jr.) take center stage, exploring the complex dynamics that led to their infamous feud.
call sheet
Mufasa, Aaron Pierre, Scar, Kelvin Harrison Jr., Rafiki, John Kani, Simba, Kiara, Blue Ivy Carter, Barry Jenkins, The Lion King, Mufasa: The Lion King
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