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Film Fests 2024: Shah Rukh Khan Excites Locarno, ‘Anora’ Seduces Cannes, Erotic Fare Turns on Venice
Film Fests 2024: Shah Rukh Khan Excites Locarno, ‘Anora’ Seduces Cannes, Erotic Fare Turns on Venice
Hollywood Reporter
Hollywood Reporter
2h
film
review
locarno
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netflix
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cannes film festival
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From ‘A Complete Unknown’ to ‘Selena’ to ‘Ray’: 33 Notable Music Biopics
From ‘A Complete Unknown’ to ‘Selena’ to ‘Ray’: 33 Notable Music Biopics
Hollywood Reporter
Hollywood Reporter
3d
music
review
los angeles
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disney
oscars
sundance
3d
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The Brutalist review: a beguiling epic
The Brutalist review: a beguiling epic
Digital Trends
Digital Trends
5d
film
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los angeles
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amazon
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sundance
5d
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‘Gladiator II’ Available To Purchase In Home On Christmas Eve
‘Gladiator II’ Available To Purchase In Home On Christmas Eve
Deadline
Deadline
6d
film
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los angeles
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6d
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Why Anora Didn't Use Intimacy Coordinators
Why Anora Didn't Use Intimacy Coordinators
MovieMaker Magazine
MovieMaker Magazine
6d
film
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neon
oscars
cannes ff
6d
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All the Technological Wizardry in the World Can’t SaveMufasa: The Lion King
Vulture
film
review
new york
streaming
disney
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Disney's 'Mufasa: The Lion King' sequel fails to roar, despite big-name talent and cutting-edge tech.
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Director Barry Jenkins and composer Lin-Manuel Miranda couldn't save this 'uninspired slog' of a follow-up to the 2019 'Lion King' remake.
Insiders say the ambitious 'shades' Jenkins wanted to bring to the project were lost in Disney's cookie-cutter approach to its live-action reboots.
call sheet
Barry Jenkins, Lin-Manuel Miranda, Disney, 'Mufasa: The Lion King', the 2019 'live-action remake' of 'The Lion King'
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