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Why The Academy Created An Oscar Category No One's Ever Won
Why The Academy Created An Oscar Category No One's Ever Won
SlashFilm
SlashFilm
50m
film
review
development
oscars
50m
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Film Fests 2024: Shah Rukh Khan Excites Locarno, ‘Anora’ Seduces Cannes, Erotic Fare Turns on Venice
Film Fests 2024: Shah Rukh Khan Excites Locarno, ‘Anora’ Seduces Cannes, Erotic Fare Turns on Venice
Hollywood Reporter
Hollywood Reporter
1d
film
review
locarno
development
netflix
oscars
cannes film festival
1d
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‘I Know That’s A Weird Bucket-List Thing’: Anne Hathaway Reveals One Type Of Movie She’s Still Eager To Make, And I Need Somebody To Make This Happen
‘I Know That’s A Weird Bucket-List Thing’: Anne Hathaway Reveals One Type Of Movie She’s Still Eager To Make, And I Need Somebody To Make This Happen
CinemaBlend
CinemaBlend
1d
film
interview
development
oscars
1d
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From ‘A Complete Unknown’ to ‘Selena’ to ‘Ray’: 33 Notable Music Biopics
From ‘A Complete Unknown’ to ‘Selena’ to ‘Ray’: 33 Notable Music Biopics
Hollywood Reporter
Hollywood Reporter
4d
music
review
los angeles
development
disney
oscars
sundance
4d
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All the Technological Wizardry in the World Can’t SaveMufasa: The Lion King
Vulture
film
review
new york
box office
disney
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Disney's 'Mufasa: The Lion King' sequel fails to roar, despite big-name talent and cutting-edge tech.
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Director Barry Jenkins and composer Lin-Manuel Miranda couldn't save this 'uninspired slog' of a follow-up to the 2019 'Lion King' remake.
Insiders say the ambitious 'shades' Jenkins wanted to bring to the project were lost in Disney's cookie-cutter approach to its live-action reboots.
call sheet
Barry Jenkins, Lin-Manuel Miranda, Disney, 'Mufasa: The Lion King', the 2019 'live-action remake' of 'The Lion King'
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