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The Brutalist review: a beguiling epic
The Brutalist review: a beguiling epic
Digital Trends
Digital Trends
19h
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19h
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How to Watch and Stream All the Early Oscar Contenders
How to Watch and Stream All the Early Oscar Contenders
Vulture
Vulture
1d
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disney+
oscars
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1d
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'Homestead' Review: Angel Studios' Post-Apocalyptic Drama Thrills
'Homestead' Review: Angel Studios' Post-Apocalyptic Drama Thrills
Variety
Variety
2d
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2d
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Scrap
Scrap
Film Threat
Film Threat
2d
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review
new york
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2d
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‘Up in Smoke,’ ‘Pride of the Yankees,’ ‘Beverly Hills Cop,’ ‘No Country for Old Men,’ ‘The Social Network’ Inducted Into National Film Registry
‘Up in Smoke,’ ‘Pride of the Yankees,’ ‘Beverly Hills Cop,’ ‘No Country for Old Men,’ ‘The Social Network’ Inducted Into National Film Registry
Hollywood Reporter
Hollywood Reporter
4d
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4d
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Kraven the Hunter Flops, Moana 2 and Wicked Get More Christmas Screens
Kraven the Hunter Flops, Moana 2 and Wicked Get More Christmas Screens
Indiewire
Indiewire
6d
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review
los angeles
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All the Technological Wizardry in the World Can’t SaveMufasa: The Lion King
Vulture
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new york
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disney
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Disney's 'Mufasa: The Lion King' sequel fails to roar, despite big-name talent and cutting-edge tech.
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Director Barry Jenkins and composer Lin-Manuel Miranda couldn't save this 'uninspired slog' of a follow-up to the 2019 'Lion King' remake.
Insiders say the ambitious 'shades' Jenkins wanted to bring to the project were lost in Disney's cookie-cutter approach to its live-action reboots.
call sheet
Barry Jenkins, Lin-Manuel Miranda, Disney, 'Mufasa: The Lion King', the 2019 'live-action remake' of 'The Lion King'
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