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The Brutalist review: a beguiling epic
The Brutalist review: a beguiling epic
Digital Trends
Digital Trends
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los angeles
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sundance
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‘Gladiator II’ Available To Purchase In Home On Christmas Eve
‘Gladiator II’ Available To Purchase In Home On Christmas Eve
Deadline
Deadline
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Why Anora Didn't Use Intimacy Coordinators
Why Anora Didn't Use Intimacy Coordinators
MovieMaker Magazine
MovieMaker Magazine
3d
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neon
oscars
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Conservative Documentary ‘Am I Racist?’ Snubbed By Oscar Doc Voters, Despite Claiming Box Office Crown
Conservative Documentary ‘Am I Racist?’ Snubbed By Oscar Doc Voters, Despite Claiming Box Office Crown
Deadline
Deadline
5d
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dailywire+
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5d
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‘Up in Smoke,’ ‘Pride of the Yankees,’ ‘Beverly Hills Cop,’ ‘No Country for Old Men,’ ‘The Social Network’ Inducted Into National Film Registry
‘Up in Smoke,’ ‘Pride of the Yankees,’ ‘Beverly Hills Cop,’ ‘No Country for Old Men,’ ‘The Social Network’ Inducted Into National Film Registry
Hollywood Reporter
Hollywood Reporter
6d
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All the Technological Wizardry in the World Can’t SaveMufasa: The Lion King
Vulture
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disney
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Disney's 'Mufasa: The Lion King' sequel fails to roar, despite big-name talent and cutting-edge tech.
beat sheet
Director Barry Jenkins and composer Lin-Manuel Miranda couldn't save this 'uninspired slog' of a follow-up to the 2019 'Lion King' remake.
Insiders say the ambitious 'shades' Jenkins wanted to bring to the project were lost in Disney's cookie-cutter approach to its live-action reboots.
call sheet
Barry Jenkins, Lin-Manuel Miranda, Disney, 'Mufasa: The Lion King', the 2019 'live-action remake' of 'The Lion King'
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