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Nosferatu Ending Explained: Amor Fati
Nosferatu Ending Explained: Amor Fati
SlashFilm
SlashFilm
8h
film
review
premiere
a24
oscars
8h
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From ‘A Complete Unknown’ to ‘Selena’ to ‘Ray’: 33 Notable Music Biopics
From ‘A Complete Unknown’ to ‘Selena’ to ‘Ray’: 33 Notable Music Biopics
Hollywood Reporter
Hollywood Reporter
1d
film
review
los angeles
premiere
a24
oscars
sundance
1d
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13 Movies About the World's Oldest Profession That Don't Sugarcoat Anything
13 Movies About the World's Oldest Profession That Don't Sugarcoat Anything
MovieMaker Magazine
MovieMaker Magazine
3d
film
review
new york
premiere
a24
oscars
cannes ff
3d
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The Brutalist review: a beguiling epic
The Brutalist review: a beguiling epic
Digital Trends
Digital Trends
4d
film
review
los angeles
premiere
a24
oscars
sundance
4d
+
‘The Brutalist’ Is Brady Corbet’s Great American Masterpiece
‘The Brutalist’ Is Brady Corbet’s Great American Masterpiece
The Rolling Stone
The Rolling Stone
5d
film
review
los angeles
premiere
a24
oscars
sundance
5d
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Brady Corbet and Sean Baker: Brutalist & Anora Directors Talk Budgets
Variety
film
interview
los angeles
production
Story by William Earl
Image from Variety
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Independent directors Brady Corbet and Sean Baker discuss the challenges of financing and producing ambitious films on tight budgets.
beat sheet
Brady Corbet's three-hour epic
was made for a mere $10 million, proving that big ambition can overcome small budgets.
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Brady Corbet, Sean Baker, The Brutalist, The Brutalist
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