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‘I’m Still Here’: Read The Screenplay For Walter Salles’ Personal Political Drama That Warns To Never Forget The Disappeared
‘I’m Still Here’: Read The Screenplay For Walter Salles’ Personal Political Drama That Warns To Never Forget The Disappeared
Deadline
Deadline
2d
film
read the screenplay
brazil
premiere
sony pictures classics
oscars
2d
+
Oscars: Read THR’s Reviews of Contenders on the Best International Feature Shortlist
Oscars: Read THR’s Reviews of Contenders on the Best International Feature Shortlist
Hollywood Reporter
Hollywood Reporter
2d
film
review
brazil
premiere
netflix
oscars
cannes ff
2d
+
13 Movies About the World's Oldest Profession That Don't Sugarcoat Anything
13 Movies About the World's Oldest Profession That Don't Sugarcoat Anything
MovieMaker Magazine
MovieMaker Magazine
3d
film
review
brazil
premiere
netflix
oscars
cannes ff
3d
+
The Brutalist review: a beguiling epic
The Brutalist review: a beguiling epic
Digital Trends
Digital Trends
4d
film
review
brazil
premiere
amazon
oscars
sundance
4d
+
Walter Salles On Brazil’s Oscar Submission ‘I’m Still Here’: “This Is A Film About Life”
Walter Salles On Brazil’s Oscar Submission ‘I’m Still Here’: “This Is A Film About Life”
Deadline
Deadline
5d
film
interview
brazil
premiere
oscars
5d
+
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Brady Corbet and Sean Baker: Brutalist & Anora Directors Talk Budgets
Variety
film
interview
los angeles
production
Story by William Earl
Image from Variety
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Independent directors Brady Corbet and Sean Baker discuss the challenges of financing and producing ambitious films on tight budgets.
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Brady Corbet's three-hour epic
was made for a mere $10 million, proving that big ambition can overcome small budgets.
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Brady Corbet, Sean Baker, The Brutalist, The Brutalist
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