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Cinema Is Freedom: Mohammad Rasoulof on "The Seed of the Sacred Fig" | TV/Streaming | Roger Ebert
Cinema Is Freedom: Mohammad Rasoulof on "The Seed of the Sacred Fig" | TV/Streaming | Roger Ebert
RogerEbert.com
RogerEbert.com
2d
film
review
iran
production
neon
cannes film festival
sundance
2d
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'Bottle George' and Other Short Film Directors Break Down Filming
'Bottle George' and Other Short Film Directors Break Down Filming
Variety
Variety
3d
film
interview
los angeles
production
neon
oscars
sundance
3d
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12 Deadly Animal Movies That Used Real Animals — With Varying Levels of Success
12 Deadly Animal Movies That Used Real Animals — With Varying Levels of Success
MovieMaker Magazine
MovieMaker Magazine
4d
film
review
los angeles
production
neon
sundance
4d
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Goteborg Film Festival Line-Up Features ‘The Brutalist,’ Queer,’ ‘The Girl With the Needle’
Goteborg Film Festival Line-Up Features ‘The Brutalist,’ Queer,’ ‘The Girl With the Needle’
Hollywood Reporter
Hollywood Reporter
4d
film
trailer
sweden
premiere
neon
golden globes
sundance
4d
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'Nosferatu,' 'A Complete Unknown,' and 'Babygirl' Find Success in 2025
'Nosferatu,' 'A Complete Unknown,' and 'Babygirl' Find Success in 2025
Indiewire
Indiewire
6d
film
review
box office
neon
oscars
sundance
6d
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Timothée Chalamet Admits Prewriting Acceptance Speeches for Awards He Lost Made Him Feel Like a ‘Narcissistic Prick’ | Video
The Wrap
film
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golden globes
Story by Sharon Knolle
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Timothée Chalamet gets candid about his award show speech writing habits and the ego trip that comes with it.
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Chalamet confesses he used to prewrite acceptance speeches for awards he ultimately lost, calling the practice 'narcissistic'.
The 'Dune' star says the habit made him feel like a 'prick' and that he's since learned to let go of his ego when it comes to award show outcomes.
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Timothée Chalamet, Dune
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