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How F-Bombs and Family Fare Saved the Box Office
How F-Bombs and Family Fare Saved the Box Office
Hollywood Reporter
Hollywood Reporter
2h
film
review
los angeles
box office
neon
oscars
sundance
2h
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The Last Time It Fell Apart I Felt It Was Not Going To Ever Happen.’ Robert Eggers Gets Real About Nosferatu Getting Canceled Before It Could Get Off The Ground Many Times
The Last Time It Fell Apart I Felt It Was Not Going To Ever Happen.’ Robert Eggers Gets Real About Nosferatu Getting Canceled Before It Could Get Off The Ground Many Times
CinemaBlend
CinemaBlend
2d
film
interview
production
neon
oscars
sundance
2d
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Hollywood Stocks in 2024: The Good, the Bad and the Silver Lining
Hollywood Stocks in 2024: The Good, the Bad and the Silver Lining
Hollywood Reporter
Hollywood Reporter
3d
film
review
los angeles
box office
neon
oscars
sundance
3d
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THE END: TRAILER
THE END: TRAILER
Film Inquiry
Film Inquiry
3d
film
trailer
los angeles
production
neon
oscars
sundance
3d
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'Sonic 3' and 'Mufasa' Run a Close Race at Post-Christmas Box Office
'Sonic 3' and 'Mufasa' Run a Close Race at Post-Christmas Box Office
Indiewire
Indiewire
5d
film
review
los angeles
box office
neon
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5d
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Mufasa: The Lion King: Barry Jenkins Interview
IndieWire
film
interview
los angeles
production
disney
oscars
Story by Bill Desowitz
Image from IndieWire
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Oscar-winning director Barry Jenkins takes on his first virtual production with the highly anticipated 'Mufasa: The Lion King' prequel.
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Jenkins reveals he leveraged cutting-edge virtual production tech to bring the iconic 'Lion King' universe to life in new and visually stunning ways.
A behind-the-scenes featurette offers a rare glimpse into the complex technical process, hinting at the film's potential to redefine the genre.
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Barry Jenkins, IndieWire, Mufasa: The Lion King
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