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The Brutalist review: a beguiling epic
The Brutalist review: a beguiling epic
Digital Trends
Digital Trends
1h
film
review
los angeles
production
a24
oscars
sundance
1h
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‘The Brutalist’ Is Brady Corbet’s Great American Masterpiece
‘The Brutalist’ Is Brady Corbet’s Great American Masterpiece
The Rolling Stone
The Rolling Stone
1d
film
review
los angeles
premiere
a24
oscars
sundance
1d
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A Challenge to the Oscars
A Challenge to the Oscars
Variety
Variety
2d
film
review
los angeles
box office
a24
oscars
2d
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Academy Unveils Oscar Shortlists for Animated and Live Action Shorts
Academy Unveils Oscar Shortlists for Animated and Live Action Shorts
The Wrap
The Wrap
3d
film
review
los angeles
premiere
a24
oscars
3d
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‘Up in Smoke,’ ‘Pride of the Yankees,’ ‘Beverly Hills Cop,’ ‘No Country for Old Men,’ ‘The Social Network’ Inducted Into National Film Registry
‘Up in Smoke,’ ‘Pride of the Yankees,’ ‘Beverly Hills Cop,’ ‘No Country for Old Men,’ ‘The Social Network’ Inducted Into National Film Registry
Hollywood Reporter
Hollywood Reporter
4d
film
review
los angeles
box office
a24
oscars
sundance
4d
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Kraven the Hunter Flops, Moana 2 and Wicked Get More Christmas Screens
Kraven the Hunter Flops, Moana 2 and Wicked Get More Christmas Screens
Indiewire
Indiewire
5d
film
review
los angeles
box office
a24
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5d
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6 Stephen King Movies That Are Least Like the Book
MovieWeb
film
review
Story by Philip Etemesi
Image from MovieWeb
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From 'The Shining' to 'Carrie', a look at the Stephen King adaptations that dared to diverge from the source material.
beat sheet
In 'The Shining', director Stanley Kubrick famously went rogue, altering the ending and character arcs, much to King's dismay.
For 'Firestarter', Drew Barrymore's casting as the pyrogenic protagonist was a bold choice, deviating from the book's redheaded heroine.
call sheet
Stanley Kubrick, Stephen King, Drew Barrymore, The Shining, The Shining, Carrie, Firestarter
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