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The Brutalist review: a beguiling epic
The Brutalist review: a beguiling epic
Digital Trends
Digital Trends
55m
film
review
los angeles
production
amazon
oscars
venice ff
55m
+
Exclusive 2073 Clip Sets the Stage for Neon’s Dystopian, Genre-Bending Movie
Exclusive 2073 Clip Sets the Stage for Neon’s Dystopian, Genre-Bending Movie
ComingSoon.net
ComingSoon.net
16h
film
review
united states
production
neon
oscars
venice ff
16h
+
‘Gladiator II’ Available To Purchase In Home On Christmas Eve
‘Gladiator II’ Available To Purchase In Home On Christmas Eve
Deadline
Deadline
17h
film
review
los angeles
box office
amazon
oscars
venice ff
17h
+
‘The Brutalist’, ‘The Room Next Door’ & ‘The Count Of Monte Cristo’ Jump Into Pre-Christmas Indie Frame – Specialty Preview
‘The Brutalist’, ‘The Room Next Door’ & ‘The Count Of Monte Cristo’ Jump Into Pre-Christmas Indie Frame – Specialty Preview
Deadline
Deadline
17h
film
review
los angeles
premiere
amazon
oscars
venice ff
17h
+
How to Watch and Stream All the Early Oscar Contenders
How to Watch and Stream All the Early Oscar Contenders
Vulture
Vulture
18h
oscars
review
awards season
disney+
oscars
venice ff
18h
+
‘The Brutalist’ Is Brady Corbet’s Great American Masterpiece
‘The Brutalist’ Is Brady Corbet’s Great American Masterpiece
The Rolling Stone
The Rolling Stone
1d
film
review
los angeles
premiere
a24
oscars
venice ff
1d
+
After ‘The Return’, We Need a Homeric Cinematic Universe
After ‘The Return’, We Need a Homeric Cinematic Universe
MovieWeb
MovieWeb
2d
film
review
development
disney
oscars
venice ff
2d
+
Oscars: International Feature Shortlist Includes Firsts For Latvia & Thailand; Audiard’s ‘Emilia Pérez’ & Salles’ ‘I’m Still Here’ Among Expected Pics In The Cut
Oscars: International Feature Shortlist Includes Firsts For Latvia & Thailand; Audiard’s ‘Emilia Pérez’ & Salles’ ‘I’m Still Here’ Among Expected Pics In The Cut
Deadline
Deadline
3d
film
review
los angeles
shortlist
disney
oscars
venice ff
3d
+
‘Up in Smoke,’ ‘Pride of the Yankees,’ ‘Beverly Hills Cop,’ ‘No Country for Old Men,’ ‘The Social Network’ Inducted Into National Film Registry
‘Up in Smoke,’ ‘Pride of the Yankees,’ ‘Beverly Hills Cop,’ ‘No Country for Old Men,’ ‘The Social Network’ Inducted Into National Film Registry
Hollywood Reporter
Hollywood Reporter
4d
film
review
los angeles
box office
disney
oscars
venice ff
4d
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'Trancers' (1984) Delivers a Very Techno-Thriller Midnight Christmas
IndieWire
film
review
los angeles
Story by Alison Foreman
Image from IndieWire
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A time-traveling sci-fi thriller that's the perfect offbeat companion to your festive holiday binge-watching sessions.
beat sheet
Directed by cult icon Charles Band, who built his Empire Pictures empire on low-budget B-movies with a devoted following.
Despite its campy premise, 'Trancers' has a surprising techno-thriller vibe that makes it stand out from the usual Christmas fare.
call sheet
Charles Band, Empire Pictures, Trancers
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