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The Brutalist review: a beguiling epic
The Brutalist review: a beguiling epic
Digital Trends
Digital Trends
43m
film
review
los angeles
production
disney
oscars
venice ff
43m
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After ‘The Return’, We Need a Homeric Cinematic Universe
After ‘The Return’, We Need a Homeric Cinematic Universe
MovieWeb
MovieWeb
2d
film
review
development
disney
oscars
venice ff
2d
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Oscars: International Feature Shortlist Includes Firsts For Latvia & Thailand; Audiard’s ‘Emilia Pérez’ & Salles’ ‘I’m Still Here’ Among Expected Pics In The Cut
Oscars: International Feature Shortlist Includes Firsts For Latvia & Thailand; Audiard’s ‘Emilia Pérez’ & Salles’ ‘I’m Still Here’ Among Expected Pics In The Cut
Deadline
Deadline
3d
film
review
los angeles
shortlist
disney
oscars
venice ff
3d
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‘Up in Smoke,’ ‘Pride of the Yankees,’ ‘Beverly Hills Cop,’ ‘No Country for Old Men,’ ‘The Social Network’ Inducted Into National Film Registry
‘Up in Smoke,’ ‘Pride of the Yankees,’ ‘Beverly Hills Cop,’ ‘No Country for Old Men,’ ‘The Social Network’ Inducted Into National Film Registry
Hollywood Reporter
Hollywood Reporter
4d
film
review
los angeles
box office
disney
oscars
venice ff
4d
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'Trancers' (1984) Delivers a Very Techno-Thriller Midnight Christmas
IndieWire
film
review
los angeles
Story by Alison Foreman
Image from IndieWire
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A time-traveling sci-fi thriller that's the perfect offbeat companion to your festive holiday binge-watching sessions.
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Directed by cult icon Charles Band, who built his Empire Pictures empire on low-budget B-movies with a devoted following.
Despite its campy premise, 'Trancers' has a surprising techno-thriller vibe that makes it stand out from the usual Christmas fare.
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Charles Band, Empire Pictures, Trancers
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