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‘Sing Sing’ Screenwriters on How to Write a Movie About Prison
The Hollywood ReporterStory by Lexy PerezImage from The Hollywood Reporter
scrn loglineScreenwriters navigate the delicate balance of adapting a true story about a prison theater program while honoring the real-life inmates' experiences.beat sheet- Screenwriters Greg Kwedar and Clint Bentley invited the real-life incarcerated actors, Divine G and Divine Eye, to collaborate on the script, making it 'alive in a way it never had been before'.
- Lead actor Colman Domingo ad-libbed a key line - 'The process is fucked' - that the screenwriters couldn't write themselves, but which 'clarifies the scene' and his character's depth of despair.
Read the sourcecall sheetGreg Kwedar, Clint Bentley, John "Divine G" Whitfield, Clarence Maclin, Colman Domingo, Brent Buell, Paul Raci, Rehabilitation Through the Arts, Sing Sing Correctional Facility, Sing Sing, Breaking the Mummy's Code - CinemaBlendCinemaBlend17h
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‘Sing Sing’ Screenwriters on How to Write a Movie About Prison
The Hollywood ReporterStory by Lexy Perez
scrn logline
Screenwriters navigate the delicate balance of adapting a true story about a prison theater program while honoring the real-life inmates' experiences.
beat sheet
- Screenwriters Greg Kwedar and Clint Bentley invited the real-life incarcerated actors, Divine G and Divine Eye, to collaborate on the script, making it 'alive in a way it never had been before'.
- Lead actor Colman Domingo ad-libbed a key line - 'The process is fucked' - that the screenwriters couldn't write themselves, but which 'clarifies the scene' and his character's depth of despair.
call sheet
Greg Kwedar, Clint Bentley, John "Divine G" Whitfield, Clarence Maclin, Colman Domingo, Brent Buell, Paul Raci, Rehabilitation Through the Arts, Sing Sing Correctional Facility, Sing Sing, Breaking the Mummy's Code