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13 Movies About the World's Oldest Profession That Don't Sugarcoat Anything
13 Movies About the World's Oldest Profession That Don't Sugarcoat Anything
MovieMaker Magazine
MovieMaker Magazine
17h
film
review
los angeles
premiere
netflix
oscars
cannes ff
17h
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The Brutalist review: a beguiling epic
The Brutalist review: a beguiling epic
Digital Trends
Digital Trends
1d
film
review
los angeles
premiere
amazon
oscars
sundance
1d
+
‘The Brutalist’, ‘The Room Next Door’ & ‘The Count Of Monte Cristo’ Jump Into Pre-Christmas Indie Frame – Specialty Preview
‘The Brutalist’, ‘The Room Next Door’ & ‘The Count Of Monte Cristo’ Jump Into Pre-Christmas Indie Frame – Specialty Preview
Deadline
Deadline
1d
film
review
los angeles
premiere
amazon
oscars
sundance
1d
+
‘The Brutalist’ Is Brady Corbet’s Great American Masterpiece
‘The Brutalist’ Is Brady Corbet’s Great American Masterpiece
The Rolling Stone
The Rolling Stone
2d
film
review
los angeles
premiere
a24
oscars
sundance
2d
+
Can Nosferatu Save Vampire Movies At The Box Office This Christmas?
Can Nosferatu Save Vampire Movies At The Box Office This Christmas?
SlashFilm
SlashFilm
2d
film
review
los angeles
premiere
amazon
oscars
sundance
2d
+
Peter Bart: Today’s Movie Musicals Are Wicked Successful, But A Far Cry From The Sunnier Settings Of Hollywood’s Golden Age Hits
Peter Bart: Today’s Movie Musicals Are Wicked Successful, But A Far Cry From The Sunnier Settings Of Hollywood’s Golden Age Hits
Deadline
Deadline
2d
film
review
los angeles
premiere
disney
oscars
cannes ff
2d
+
How 'Babygirl,' 'The Substance' Fight Society’s Standards for Women
How 'Babygirl,' 'The Substance' Fight Society’s Standards for Women
Variety
Variety
4d
film
review
los angeles
premiere
netflix
oscars
sundance
4d
+
Jonathan Majors’ ‘Magazine Dreams’ Muscles Into March 25 Release Date Through Briarcliff Ent.
Jonathan Majors’ ‘Magazine Dreams’ Muscles Into March 25 Release Date Through Briarcliff Ent.
Deadline
Deadline
4d
film
review
los angeles
premiere
briarcliff entertainment
oscars
sundance
4d
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‘Inside Out 2,’ ‘The Last Showgirl’ Filmmakers Explore Female Mentorship
‘Inside Out 2,’ ‘The Last Showgirl’ Filmmakers Explore Female Mentorship
Variety
Variety
4d
film
review
los angeles
premiere
disney
oscars
sundance
4d
+
Academy Unveils Oscar Shortlists for Animated and Live Action Shorts
Academy Unveils Oscar Shortlists for Animated and Live Action Shorts
The Wrap
The Wrap
5d
film
review
los angeles
premiere
disney
oscars
5d
+
The Trend This Oscar Season: Women Reclaiming Their Sexuality
The Trend This Oscar Season: Women Reclaiming Their Sexuality
Hollywood Reporter
Hollywood Reporter
5d
film
review
los angeles
premiere
amazon
oscars
sundance
5d
+
22nd Annual Unforgettable Gala Honorees Joan Chen, Hiroyuki Sanada & EP Albert Kim Champion Unwavering “Commitment To AAPI Representation” As A “Stepping Stone” Never To Take For Granted
22nd Annual Unforgettable Gala Honorees Joan Chen, Hiroyuki Sanada & EP Albert Kim Champion Unwavering “Commitment To AAPI Representation” As A “Stepping Stone” Never To Take For Granted
Deadline
Deadline
6d
film
review
los angeles
premiere
oscars
6d
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‘Juror #2’: Read The Screenplay For Clint Eastwood’s Tense What-Would-You-Do Legal Thriller
Deadline
film
review
los angeles
production
warner bros
Story by Patrick Hipes
Image from Deadline
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Hollywood legend Clint Eastwood directs a tense courtroom thriller penned by playwright Jonathan Abrams in his film debut.
beat sheet
Eastwood's 42nd film as director, Juror #2, stars Nicholas Hoult in a high-stakes what-would-you-do legal drama.
Abrams, writer of the Broadway musical The Heart of Rock and Roll, makes his feature screenwriting debut with this gripping script.
call sheet
Clint Eastwood, Jonathan Abrams, Nicholas Hoult, Warner Bros., Juror #2, The Heart of Rock and Roll
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