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‘They Want to Own the Artist’: Inside the Making of ‘The Brutalist’
‘They Want to Own the Artist’: Inside the Making of ‘The Brutalist’
The Rolling Stone
The Rolling Stone
15h
film
interview
new york
production
a24
oscars
new york ff
15h
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13 Movies About the World's Oldest Profession That Don't Sugarcoat Anything
13 Movies About the World's Oldest Profession That Don't Sugarcoat Anything
MovieMaker Magazine
MovieMaker Magazine
1d
film
review
new york
box office
a24
oscars
new york ff
1d
+
The Brutalist review: a beguiling epic
The Brutalist review: a beguiling epic
Digital Trends
Digital Trends
1d
film
review
los angeles
production
a24
oscars
new york ff
1d
+
‘Up in Smoke,’ ‘Pride of the Yankees,’ ‘Beverly Hills Cop,’ ‘No Country for Old Men,’ ‘The Social Network’ Inducted Into National Film Registry
‘Up in Smoke,’ ‘Pride of the Yankees,’ ‘Beverly Hills Cop,’ ‘No Country for Old Men,’ ‘The Social Network’ Inducted Into National Film Registry
Hollywood Reporter
Hollywood Reporter
5d
film
review
los angeles
box office
a24
oscars
new york ff
5d
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Liam Neeson's Condition to Star in 'A Million Ways to Die in the West'
MovieWeb
film
review
box office
Story by Rachel Johnson
Image from MovieWeb
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Liam Neeson's unexpected condition to star in Seth MacFarlane's lackluster Western comedy
beat sheet
Neeson demanded a role rewrite, insisting his character be a grizzled, no-nonsense bushwhacker instead of the bumbling sidekick originally planned
MacFarlane reluctantly agreed, hoping Neeson's star power could salvage the film, which bombed at the box office despite the actor's involvement
call sheet
Liam Neeson, A Million Ways to Die in the West, A Million Ways to Die in the West
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