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‘Anora’: Read The Screenplay For Sean Baker’s Cannes Palme d’Or Winner That Paints Outside The Margins
‘Anora’: Read The Screenplay For Sean Baker’s Cannes Palme d’Or Winner That Paints Outside The Margins
Deadline
Deadline
1d
film
review
cannes
premiere
neon
cannes palme d'or
cannes film festival
1d
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Oscars: Read THR’s Reviews of Contenders on the Best International Feature Shortlist
Oscars: Read THR’s Reviews of Contenders on the Best International Feature Shortlist
Hollywood Reporter
Hollywood Reporter
1d
film
review
france
premiere
netflix
cannes
cannes ff
1d
+
The Brutalist review: a beguiling epic
The Brutalist review: a beguiling epic
Digital Trends
Digital Trends
3d
film
review
los angeles
premiere
amazon
oscars
cannes
3d
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‘The Brutalist’, ‘The Room Next Door’ & ‘The Count Of Monte Cristo’ Jump Into Pre-Christmas Indie Frame – Specialty Preview
‘The Brutalist’, ‘The Room Next Door’ & ‘The Count Of Monte Cristo’ Jump Into Pre-Christmas Indie Frame – Specialty Preview
Deadline
Deadline
4d
film
review
los angeles
premiere
amazon
oscars
cannes
4d
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Why Anora Didn't Use Intimacy Coordinators
Why Anora Didn't Use Intimacy Coordinators
MovieMaker Magazine
MovieMaker Magazine
4d
film
review
premiere
neon
cannes
cannes ff
4d
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‘The Brutalist’ Is Brady Corbet’s Great American Masterpiece
‘The Brutalist’ Is Brady Corbet’s Great American Masterpiece
The Rolling Stone
The Rolling Stone
4d
film
review
los angeles
premiere
a24
oscars
cannes
4d
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Inside the ‘Crisis’ Facing U.K. Indie Film Distribution
Inside the ‘Crisis’ Facing U.K. Indie Film Distribution
Variety
Variety
4d
film
review
uk
premiere
oscars
cannes
4d
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Can Nosferatu Save Vampire Movies At The Box Office This Christmas?
Can Nosferatu Save Vampire Movies At The Box Office This Christmas?
SlashFilm
SlashFilm
4d
film
review
los angeles
premiere
amazon
oscars
cannes
4d
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'Gazer' Trailer: Ryan J. Sloan's Debut Is 'Memento' Meets 'After Hours'
'Gazer' Trailer: Ryan J. Sloan's Debut Is 'Memento' Meets 'After Hours'
Indiewire
Indiewire
6d
film
review
cannes
premiere
metrograph pictures
cannes directors' fortnight
cannes
6d
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RECLab Prizes Javier Marco, Sara Fantova, Armand Rovira
Variety
film
review
spain
premiere
goya
reclab
Story by John Hopewell
Image from Variety
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RECLab, a groundbreaking Spanish film festival, honors innovative projects, including Javier Marco's Goya-winning short spinoff 'Face to Face'.
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Javier Marco's 'Face to Face' wins big at RECLab's 10th edition, building on the success of his 2021 Goya-winning short.
RECLab is known for challenging industry norms, celebrating filmmakers who push creative boundaries, like rising stars Sara Fantova and Armand Rovira.
call sheet
Javier Marco, Sara Fantova, Armand Rovira, RECLab, 'Face to Face' ('A la cara')
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