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‘I’m Still Here’: Read The Screenplay For Walter Salles’ Personal Political Drama That Warns To Never Forget The Disappeared
‘I’m Still Here’: Read The Screenplay For Walter Salles’ Personal Political Drama That Warns To Never Forget The Disappeared
Deadline
Deadline
1d
film
read the screenplay
brazil
premiere
sony pictures classics
oscars
1d
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Oscars: Read THR’s Reviews of Contenders on the Best International Feature Shortlist
Oscars: Read THR’s Reviews of Contenders on the Best International Feature Shortlist
Hollywood Reporter
Hollywood Reporter
1d
film
review
brazil
premiere
netflix
oscars
cannes ff
1d
+
13 Movies About the World's Oldest Profession That Don't Sugarcoat Anything
13 Movies About the World's Oldest Profession That Don't Sugarcoat Anything
MovieMaker Magazine
MovieMaker Magazine
3d
film
review
brazil
premiere
netflix
oscars
cannes ff
3d
+
The Brutalist review: a beguiling epic
The Brutalist review: a beguiling epic
Digital Trends
Digital Trends
3d
film
review
brazil
premiere
amazon
oscars
sundance
3d
+
Walter Salles On Brazil’s Oscar Submission ‘I’m Still Here’: “This Is A Film About Life”
Walter Salles On Brazil’s Oscar Submission ‘I’m Still Here’: “This Is A Film About Life”
Deadline
Deadline
4d
film
interview
brazil
premiere
oscars
4d
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RECLab Prizes Javier Marco, Sara Fantova, Armand Rovira
Variety
film
review
spain
premiere
goya
reclab
Story by John Hopewell
Image from Variety
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RECLab, a groundbreaking Spanish film festival, honors innovative projects, including Javier Marco's Goya-winning short spinoff 'Face to Face'.
beat sheet
Javier Marco's 'Face to Face' wins big at RECLab's 10th edition, building on the success of his 2021 Goya-winning short.
RECLab is known for challenging industry norms, celebrating filmmakers who push creative boundaries, like rising stars Sara Fantova and Armand Rovira.
call sheet
Javier Marco, Sara Fantova, Armand Rovira, RECLab, 'Face to Face' ('A la cara')
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