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The Makeup Design of 'Wicked' Went Beyond Elphaba's Green Skin
The Makeup Design of 'Wicked' Went Beyond Elphaba's Green Skin
Indiewire
Indiewire
broadway
interview
production
1d
The Makeup Design of 'Wicked' Went Beyond Elphaba's Green Skin
IndieWire
broadway
interview
production
Story by Sarah Shachat
Image from IndieWire
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The spellbinding makeup design of 'Wicked' transforms the witches of Oz, going beyond just Elphaba's iconic green skin.
beat sheet
Makeup designer Frances Hannon gave the witches a stunning, otherworldly glow, using intricate techniques like custom-blended powders and airbrushing.
Director Jon Chu even had the crew paint a horse blue for a magical scene, ensuring every detail of the Wicked world came to life on screen.
call sheet
Frances Hannon, Wicked, IndieWire, Wicked
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‘Wicked’ Easter Eggs for Your Second (or Third) Watch
‘Wicked’ Easter Eggs for Your Second (or Third) Watch
Hollywood Reporter
Hollywood Reporter
1d
broadway
review
production
disney
1d
+
Wicked Director Reveals Surprising Phone Call From Star Wars Creator George Lucas
Wicked Director Reveals Surprising Phone Call From Star Wars Creator George Lucas
ComicBook.com
ComicBook.com
1d
broadway
interview
los angeles
production
disney
1d
+
Wicked Part 2’s Jon M. Chu Can’t Stop, Won’t Stop Teasing The Film, And His Latest Comments Have Me Pumped
Wicked Part 2’s Jon M. Chu Can’t Stop, Won’t Stop Teasing The Film, And His Latest Comments Have Me Pumped
CinemaBlend
CinemaBlend
2d
broadway
interview
production
2d
+
Demi Moore Almost Starred as Elphaba in a 1990s ‘Wicked’ Film, With Nicole Kidman and Michelle Pfeiffer Top of Mind for Glinda
Demi Moore Almost Starred as Elphaba in a 1990s ‘Wicked’ Film, With Nicole Kidman and Michelle Pfeiffer Top of Mind for Glinda
Hollywood Reporter
Hollywood Reporter
3d
broadway
interview
los angeles
production
disney
3d
+
‘Here’s My Message:’ That Time Lin-Manuel Miranda Called Out Jon M. Chu For Reusing In The Heights Choreography In Wicked
‘Here’s My Message:’ That Time Lin-Manuel Miranda Called Out Jon M. Chu For Reusing In The Heights Choreography In Wicked
CinemaBlend
CinemaBlend
4d
broadway
opinion
new york
production
4d
+
The West End In 2025: John Lithgow In Broadway-Bound ‘Giant’, Paul Mescal, Brie Larson, Sondheim’s ‘Here We Are’ And Maybe Even ‘Cat On A Hot Tin Roof’s Sizzling Daisy Edgar-Jones
The West End In 2025: John Lithgow In Broadway-Bound ‘Giant’, Paul Mescal, Brie Larson, Sondheim’s ‘Here We Are’ And Maybe Even ‘Cat On A Hot Tin Roof’s Sizzling Daisy Edgar-Jones
Deadline
Deadline
4d
broadway
review
uk
production
4d
+
Hey, Wait … Is This Broadway Season Actually Great?
Hey, Wait … Is This Broadway Season Actually Great?
Vulture
Vulture
5d
broadway
news
new york
production
tony awards
5d
+
New Musical ‘Dead Outlaw’ Announces Broadway Run
New Musical ‘Dead Outlaw’ Announces Broadway Run
Hollywood Reporter
Hollywood Reporter
5d
broadway
review
new york
production
drama desk awards
5d
+
Acclaimed ‘Dead Outlaw’ Musical Sets Broadway Spring Opening
Acclaimed ‘Dead Outlaw’ Musical Sets Broadway Spring Opening
Deadline
Deadline
5d
broadway
review
new york
production
5d
+
The First Showgirls: How the Folies Bergère Became Las Vegas’ Most Enduring Hit
The First Showgirls: How the Folies Bergère Became Las Vegas’ Most Enduring Hit
Hollywood Reporter
Hollywood Reporter
5d
broadway
interview
las vegas
production
5d
+
John David Washington On Tackling Boy Willie In ‘The Piano Lesson’ On Stage And Film, Working Opposite Samuel L. Jackson Who Played Him First & Getting Acting Tips Nightly From Mom – The Actor’s Side
John David Washington On Tackling Boy Willie In ‘The Piano Lesson’ On Stage And Film, Working Opposite Samuel L. Jackson Who Played Him First & Getting Acting Tips Nightly From Mom – The Actor’s Side
Deadline
Deadline
6d
broadway
interview
production
netflix
critics choice
6d
+
‘Wicked’ Choreographer Christopher Scott On Where “Practical Theater Meets Cinema” & Finding “Reality In The Moment”
‘Wicked’ Choreographer Christopher Scott On Where “Practical Theater Meets Cinema” & Finding “Reality In The Moment”
Deadline
Deadline
6d
broadway
interview
new york
production
6d
+
Everything We Know About ‘Wicked: For Good’ So Far
Everything We Know About ‘Wicked: For Good’ So Far
Deadline
Deadline
6d
broadway
review
los angeles
production
disney
6d
+
'Doctor Odyssey': Joshua Jackson Wants a Broadway Episode
'Doctor Odyssey': Joshua Jackson Wants a Broadway Episode
Variety
Variety
6d
broadway
interview
new york
production
abc
6d
+
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The Makeup Design of 'Wicked' Went Beyond Elphaba's Green Skin
IndieWire
broadway
interview
production
Story by Sarah Shachat
Image from IndieWire
scrn logline
The spellbinding makeup design of 'Wicked' transforms the witches of Oz, going beyond just Elphaba's iconic green skin.
beat sheet
Makeup designer Frances Hannon gave the witches a stunning, otherworldly glow, using intricate techniques like custom-blended powders and airbrushing.
Director Jon Chu even had the crew paint a horse blue for a magical scene, ensuring every detail of the Wicked world came to life on screen.
call sheet
Frances Hannon, Wicked, IndieWire, Wicked
Read the source