scrn
114 articles today
Most recent
Popular
12 Deadly Animal Movies That Used Real Animals — With Varying Levels of Success
12 Deadly Animal Movies That Used Real Animals — With Varying Levels of Success
MovieMaker Magazine
MovieMaker Magazine
15h
film
review
los angeles
development
paramount
sundance
15h
+
Justice-Impacted Writers Project Fellowship For Incarcerated Aspiring Writers Launched By ‘Power Book IV: Force’ Scribes
Justice-Impacted Writers Project Fellowship For Incarcerated Aspiring Writers Launched By ‘Power Book IV: Force’ Scribes
Deadline
Deadline
4d
tv
review
chicago
development
paramount
4d
+
Everything to Know About Colleen Hoover’s Upcoming Films After ‘It Ends With Us’
Everything to Know About Colleen Hoover’s Upcoming Films After ‘It Ends With Us’
Hollywood Reporter
Hollywood Reporter
4d
film
review
los angeles
development
paramount
oscars
sundance
4d
+
7 Actors Who Have Played Multiple Roles in the Same Franchise
7 Actors Who Have Played Multiple Roles in the Same Franchise
ComicBook.com
ComicBook.com
5d
film
review
los angeles
development
paramount
oscars
sundance
5d
+
Is There a Yellowstone Season 6 Release Date & Is It Coming Out?
Is There a Yellowstone Season 6 Release Date & Is It Coming Out?
ComingSoon.net
ComingSoon.net
6d
tv
review
montana
development
paramount
6d
+
No more articles
'Conclave,' 'Brutalist' Among Set Decorators Society of America Nominees
Variety
film
review
premiere
sdsa
Story by Jazztangcay
Image from Variety
scrn logline
Prestigious Set Decorators Society of America honors top Hollywood productions with nominations for excellence in production design and decor.
beat sheet
Award-winning films 'Conclave' and 'The Brutalist' lead the pack, showcasing the industry's finest set decorating talent.
Lesser-known gems like 'Anora', 'Emilia Perez', and 'The Substance' also earn SDSA nods, proving the depth of exceptional work in the field.
call sheet
Anora, Emilia Perez, Set Decorators Society of America, SDSA, Conclave, The Brutalist, Anora, Emilia Perez, The Substance
Read the source