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Breaking Baz: How ‘A Complete Unknown’ Costume Designer Turned Detective To Find Vintage Outfits For Timothée Chalamet And His Co-Stars
Breaking Baz: How ‘A Complete Unknown’ Costume Designer Turned Detective To Find Vintage Outfits For Timothée Chalamet And His Co-Stars
Deadline
Deadline
14h
film
awards feature
los angeles
awards season
amazon
oscars
sundance
14h
+
Column: The Doc Oscar Race’s ‘Will’ Wild Card
Column: The Doc Oscar Race’s ‘Will’ Wild Card
Hollywood Reporter
Hollywood Reporter
17h
oscars
review
los angeles
premiere
netflix
oscars
sundance
17h
+
Blake Lively and Justin Baldoni Legal Battle: Lawyers Fight Over Claims
Blake Lively and Justin Baldoni Legal Battle: Lawyers Fight Over Claims
Variety
Variety
21h
film
review
los angeles
legal
amazon
oscars
sundance
21h
+
“I Was Sitting in the Library Writing It, Crying”: Jesse Eisenberg, James Mangold, Halina Reijn and the Writer Roundtable
“I Was Sitting in the Library Writing It, Crying”: Jesse Eisenberg, James Mangold, Halina Reijn and the Writer Roundtable
Hollywood Reporter
Hollywood Reporter
1d
film
interview
los angeles
production
searchlight
oscars
sundance
1d
+
We Live in Time review – every generation gets the cancer romance it deserves
We Live in Time review – every generation gets the cancer romance it deserves
Little White Lies
Little White Lies
2d
film
review
los angeles
production
amazon
oscars
sundance
2d
+
Beachside Mingling at a Poignant Spirit Awards Nominee Brunch | Festivals & Awards | Roger Ebert
Beachside Mingling at a Poignant Spirit Awards Nominee Brunch | Festivals & Awards | Roger Ebert
RogerEbert.com
RogerEbert.com
2d
film
review
los angeles
premiere
oscars
sundance
2d
+
How F-Bombs and Family Fare Saved the Box Office
How F-Bombs and Family Fare Saved the Box Office
Hollywood Reporter
Hollywood Reporter
4d
film
review
los angeles
box office
disney
oscars
sundance
4d
+
Oscar Shortlisted ‘From Ground Zero’, ‘The Damned’ & Film Forum’s Cautionary AI Fest ‘Metropolis’ To ‘Ex Machina’ – Specialty Preview
Oscar Shortlisted ‘From Ground Zero’, ‘The Damned’ & Film Forum’s Cautionary AI Fest ‘Metropolis’ To ‘Ex Machina’ – Specialty Preview
Deadline
Deadline
4d
film
review
los angeles
premiere
amc
oscars
sundance
4d
+
Everything to Know About Colleen Hoover’s Upcoming Films After ‘It Ends With Us’
Everything to Know About Colleen Hoover’s Upcoming Films After ‘It Ends With Us’
Hollywood Reporter
Hollywood Reporter
4d
film
review
los angeles
production
amazon
oscars
sundance
4d
+
Inside American Cinematheque's Timothée Chalamet Career Retrospective
Inside American Cinematheque's Timothée Chalamet Career Retrospective
Variety
Variety
5d
film
review
los angeles
career
oscars
sundance
5d
+
7 Actors Who Have Played Multiple Roles in the Same Franchise
7 Actors Who Have Played Multiple Roles in the Same Franchise
ComicBook.com
ComicBook.com
5d
film
review
los angeles
casting
disney
oscars
sundance
5d
+
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The Substance's Coralie Fargeat: Horror Movies Deserve Oscar Attention
IndieWire
film
interview
los angeles
oscars
Story by Ryan Lattanzio
Image from IndieWire
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Rising horror director Coralie Fargeat calls for the Oscars to recognize the art of genre films, breaking down industry barriers.
beat sheet
Fargeat, director of acclaimed thriller 'The Substance', argued that horror movies deserve the same Academy Award consideration as prestige dramas
Hoping the Oscars will treat all films as 'cinema', Fargeat wants to see the stigma against genre movies lifted at the prestigious awards show
call sheet
Coralie Fargeat, The Substance, The Substance
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